Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Resultater 1-3 af 52
Side 28
... space carved out of the home in front of the television set . Sounds and looks which enter the viewing space and mimicry of an image of an exercise leader / model on screen by the viewer create a special scene of the body , protected ...
... space carved out of the home in front of the television set . Sounds and looks which enter the viewing space and mimicry of an image of an exercise leader / model on screen by the viewer create a special scene of the body , protected ...
Side 29
... space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and cooperation in a virtual position in language ...
... space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and cooperation in a virtual position in language ...
Side 113
... space of representation " stress the nexus of space and human action ; both terms emphasize the status of space as a mediated social construct , without returning to a simplistic functionalism or behaviorism . These concepts are useful ...
... space of representation " stress the nexus of space and human action ; both terms emphasize the status of space as a mediated social construct , without returning to a simplistic functionalism or behaviorism . These concepts are useful ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York