Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 118
... sense , and can initiate instead a regime of ( romantically grounded ) sense . These letters don't just tell the story of any cinema , but of a particular institution of cinema . Here , the letters help form what Lacan calls the Letter ...
... sense , and can initiate instead a regime of ( romantically grounded ) sense . These letters don't just tell the story of any cinema , but of a particular institution of cinema . Here , the letters help form what Lacan calls the Letter ...
Side 124
... sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of spectacular per- ception ( thus , in the musical , narrative can become a mere De- vice , in the Russian Formalist sense ...
... sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of spectacular per- ception ( thus , in the musical , narrative can become a mere De- vice , in the Russian Formalist sense ...
Side 13
... sense that it invokes in the text , for the present , an “ aristocratic ” ideal of maintaining an elite , arbitrary , and avowedly artificial order . It is futuristic because Baudrillard suggests that in an age of overload , rampant ...
... sense that it invokes in the text , for the present , an “ aristocratic ” ideal of maintaining an elite , arbitrary , and avowedly artificial order . It is futuristic because Baudrillard suggests that in an age of overload , rampant ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York