Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 13
... scene of the dream set on its own stage , the figural space of phantasy installed in the figural space of representation " — as Lyotard wrote in an early essay entitled " Jewish Oedipus . " 14 For Brown , when the actor as exhibitionist ...
... scene of the dream set on its own stage , the figural space of phantasy installed in the figural space of representation " — as Lyotard wrote in an early essay entitled " Jewish Oedipus . " 14 For Brown , when the actor as exhibitionist ...
Side 39
... scenes in the pilot from two separate storylines . In one scene , the insurance agent makes a settlement offer which Kelsey refuses . In response to his remark that " Juries don't like bull - dozing , chop - busting , butch lady lawyers ...
... scenes in the pilot from two separate storylines . In one scene , the insurance agent makes a settlement offer which Kelsey refuses . In response to his remark that " Juries don't like bull - dozing , chop - busting , butch lady lawyers ...
Side 74
... scene , confiding to us his / her travails and hardships . The arrival scene offers an outward and manifest sign of the inner , subjective state of participative engagement that would have occurred were the needs of observation not ...
... scene , confiding to us his / her travails and hardships . The arrival scene offers an outward and manifest sign of the inner , subjective state of participative engagement that would have occurred were the needs of observation not ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York