Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 29
... represented world and our living room with other scenes of our culture . Ultimately , we are linked by beats — the sound of counting , of musical beats , of our own footbeats and heartbeats in tandem with the represented experience ...
... represented world and our living room with other scenes of our culture . Ultimately , we are linked by beats — the sound of counting , of musical beats , of our own footbeats and heartbeats in tandem with the represented experience ...
Side 38
... represented / mirror body into real space . The reflection of my own body in the mirror is separate from that represented ideal , a difference that I seek to traverse through my own work and effort . The more subject / object functions ...
... represented / mirror body into real space . The reflection of my own body in the mirror is separate from that represented ideal , a difference that I seek to traverse through my own work and effort . The more subject / object functions ...
Side 100
... represented the wealth from an agricultural economy while houses with contiguous walls were distinctly urban and represented the wealth from commerce and industry , in short , urban life . in this context , the free standing suburban ...
... represented the wealth from an agricultural economy while houses with contiguous walls were distinctly urban and represented the wealth from commerce and industry , in short , urban life . in this context , the free standing suburban ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York