Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 68
... reference to theories of reproduction and representation as might be inferred by a present - day reader , but simply an accusation of non - musicalness on the part of the futurists . Here he invokes a very traditional set of criteria ...
... reference to theories of reproduction and representation as might be inferred by a present - day reader , but simply an accusation of non - musicalness on the part of the futurists . Here he invokes a very traditional set of criteria ...
Side 124
... reference from form , sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of spectacular per- ception ( thus , in the musical , narrative can become a mere De- vice , in ...
... reference from form , sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of spectacular per- ception ( thus , in the musical , narrative can become a mere De- vice , in ...
Side 125
... reference to its farm function and be- comes instead the " vehicle " for Jane's desire for a performing life . Like the Purloined Letter , the tractor ultimately has no fixed content , no ultimate denotation ; it takes its identity from ...
... reference to its farm function and be- comes instead the " vehicle " for Jane's desire for a performing life . Like the Purloined Letter , the tractor ultimately has no fixed content , no ultimate denotation ; it takes its identity from ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York