Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 7
... question . “ We are aware of movement , of pressure , of recoils and forward surges , but the question of who is acting or being acted upon remains the central and tantalizing mystery . Actor and spectator interpenetrate . " That is ...
... question . “ We are aware of movement , of pressure , of recoils and forward surges , but the question of who is acting or being acted upon remains the central and tantalizing mystery . Actor and spectator interpenetrate . " That is ...
Side 70
... question which needs to be considered , I think , is the normative , even legalistic aspect of feminist theory itself , and the ensuing culpability of the male breaker and enterer . The question - in any context - of who is allowed to ...
... question which needs to be considered , I think , is the normative , even legalistic aspect of feminist theory itself , and the ensuing culpability of the male breaker and enterer . The question - in any context - of who is allowed to ...
Side 125
... question of " How had the Han appropriated non - Han values in reconstructing themselves ? " This second question , which obviously has narcissistic implica- tions , cannot substitute for the directness and poignancy of the first . At ...
... question of " How had the Han appropriated non - Han values in reconstructing themselves ? " This second question , which obviously has narcissistic implica- tions , cannot substitute for the directness and poignancy of the first . At ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York