Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Resultater 1-3 af 74
Side 70
... production ( e.g. , reggae , minimalist composition , perfor- mance art , etc. ) , which form a loose network of ... production itself . It may be the case that this return to earlier production modes is merely nostalgic , a new ...
... production ( e.g. , reggae , minimalist composition , perfor- mance art , etc. ) , which form a loose network of ... production itself . It may be the case that this return to earlier production modes is merely nostalgic , a new ...
Side 21
... production " once the concept of “ mode of production " has been reduced to " factories making goods , capitalists making profits . " Only in this utterly vestigial economic sense can the practice of consumption be predicated as a ...
... production " once the concept of “ mode of production " has been reduced to " factories making goods , capitalists making profits . " Only in this utterly vestigial economic sense can the practice of consumption be predicated as a ...
Side 176
... production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa , that when taken together gives the reader the important comprehension of Black emergent ...
... production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa , that when taken together gives the reader the important comprehension of Black emergent ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York