Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 13
... present . On the other hand , and even though there is strictly no past and no future in Baudrillard's system , he uses " fatality " as both a nostalgic and a futuristic term for invoking a classical critical value , discrimination ...
... present . On the other hand , and even though there is strictly no past and no future in Baudrillard's system , he uses " fatality " as both a nostalgic and a futuristic term for invoking a classical critical value , discrimination ...
Side 44
... present existence of the " Third World " justifies , better than all the others , the ethnocidal pretensions of the West . This is not merely a matter of literature , but of language , of discourse , of daily life . A matter of ...
... present existence of the " Third World " justifies , better than all the others , the ethnocidal pretensions of the West . This is not merely a matter of literature , but of language , of discourse , of daily life . A matter of ...
Side 154
... present . The past subject is the reflecting absence to a present that is not yet ... but will be in an attempt to be oneself . This is only an attempt to be oneself , for truly to be oneself is to forget myself . STUDENT'S NAME COURSE ...
... present . The past subject is the reflecting absence to a present that is not yet ... but will be in an attempt to be oneself . This is only an attempt to be oneself , for truly to be oneself is to forget myself . STUDENT'S NAME COURSE ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York