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Side 19
No matter which of the terms we validate , the contemplation / distraction , academic / popular , oppositions can only serve to limit and distort the possibilities of popular practice . Furthermore , I think that this return to the ...
No matter which of the terms we validate , the contemplation / distraction , academic / popular , oppositions can only serve to limit and distort the possibilities of popular practice . Furthermore , I think that this return to the ...
Side 6
( “ Del otro lado , " Gloria Evangelina Anzaldúa ) A questionable subject - in - process , and a questioning process of subject and history . Working with subject - ivity is an ongoing practice that may be said to be concerned not with ...
( “ Del otro lado , " Gloria Evangelina Anzaldúa ) A questionable subject - in - process , and a questioning process of subject and history . Working with subject - ivity is an ongoing practice that may be said to be concerned not with ...
Side 178
Black cinema practices throughout the world , viewing them as a unified impulse , explaining them in terms of the essence ... and Clyde Taylor's call for a " postesthetic " critical practice in his essay " We Don't Need Another Hero .
Black cinema practices throughout the world , viewing them as a unified impulse , explaining them in terms of the essence ... and Clyde Taylor's call for a " postesthetic " critical practice in his essay " We Don't Need Another Hero .
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York