Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 107
... postmodern culture , but one of the major projects of television theory must be the development of a more satisfying theory of both postmodernism and television's role in repro- ducing / producing it in order to move beyond the same old ...
... postmodern culture , but one of the major projects of television theory must be the development of a more satisfying theory of both postmodernism and television's role in repro- ducing / producing it in order to move beyond the same old ...
Side 123
... postmodernism , an arena which feminist critics have just begun to enter . But the terms of postmodern debates pose particular problems for theorists attempting to outline political strategies— problems evident in this anthology of ...
... postmodernism , an arena which feminist critics have just begun to enter . But the terms of postmodern debates pose particular problems for theorists attempting to outline political strategies— problems evident in this anthology of ...
Side 166
... postmodern age rather than Prometheus . ( 187n ) So here for Tyler is the postmodern abyss which his book is designed to help us negotiate . A veritable postmodern discourse , he thinks , will reject this sequential epistemological path ...
... postmodern age rather than Prometheus . ( 187n ) So here for Tyler is the postmodern abyss which his book is designed to help us negotiate . A veritable postmodern discourse , he thinks , will reject this sequential epistemological path ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York