Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 5
... possible , by stabilizing a temporary horizon in relation to which one cannot claim a position of definite exteriority , then it also becomes possible to think more carefully the politics of one's own participation and complicity . To ...
... possible , by stabilizing a temporary horizon in relation to which one cannot claim a position of definite exteriority , then it also becomes possible to think more carefully the politics of one's own participation and complicity . To ...
Side 16
... possible at different moments in an endless process of production , contestation , and reproduction of social identities . By the end of the article , the field has been vastly simplified : there are " the dominant classes " ( exerting ...
... possible at different moments in an endless process of production , contestation , and reproduction of social identities . By the end of the article , the field has been vastly simplified : there are " the dominant classes " ( exerting ...
Side 83
... possible . All vague impulses to democratize content , subvert it . . . are hopeless . " 8 While Baudrillard claims a Marxian position ( a perplexing conundrum for Marxist critics ) , the video counter - culture uncriti- cally embraced ...
... possible . All vague impulses to democratize content , subvert it . . . are hopeless . " 8 While Baudrillard claims a Marxian position ( a perplexing conundrum for Marxist critics ) , the video counter - culture uncriti- cally embraced ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York