Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 17
... popular voices ( the informants ) , an act of translation and commentary ... culture . This is also , of course , the function of cultural studies itself ... Popular Culture provides an example of this , as well as a definition of what ...
... popular voices ( the informants ) , an act of translation and commentary ... culture . This is also , of course , the function of cultural studies itself ... Popular Culture provides an example of this , as well as a definition of what ...
Side 19
... popular , oppositions can only serve to limit and distort the possibilities of popular practice . Furthermore , I think that this return to the postulate of cultural dopism in the practice of writing may be one reason why , beyond the ...
... popular , oppositions can only serve to limit and distort the possibilities of popular practice . Furthermore , I think that this return to the postulate of cultural dopism in the practice of writing may be one reason why , beyond the ...
Side 26
... cultural norms . " Banality " is one of a group of words - including " trivial " and " mundane " -whose modern history inscribes the disinte- gration of old ideals about the common people , the common place , the common culture . In ...
... cultural norms . " Banality " is one of a group of words - including " trivial " and " mundane " -whose modern history inscribes the disinte- gration of old ideals about the common people , the common place , the common culture . In ...
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FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York