Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 17
... Popular Culture provides an example of this , as well as a definition of what counts as " popular " knowledge that is considerably more restrictive than John Fiske's . Chambers argues that in looking at popular culture , we should not ...
... Popular Culture provides an example of this , as well as a definition of what counts as " popular " knowledge that is considerably more restrictive than John Fiske's . Chambers argues that in looking at popular culture , we should not ...
Side 19
... popular " as distracted , scanning the surface , and short on attention - span , performs a retrieval , at the level ... popular , oppositions can only serve to limit and distort the possibilities of popular practice . Furthermore , I ...
... popular " as distracted , scanning the surface , and short on attention - span , performs a retrieval , at the level ... popular , oppositions can only serve to limit and distort the possibilities of popular practice . Furthermore , I ...
Side 50
... popular press usually situates the day - time law show not in relation to the soap opera , but in relation to the quiz or game show . Whereas heterosexual romance is celebrated on The Love Connection and The Newlywed Game , it is ...
... popular press usually situates the day - time law show not in relation to the soap opera , but in relation to the quiz or game show . Whereas heterosexual romance is celebrated on The Love Connection and The Newlywed Game , it is ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York