Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 118
... playing on the debasement connoted in that word , the loss from image to image , but also on the idea ( more apparent ... play ( Joe Ross and Jane Falbury ) inevitably come together across lines of sexual difference and , moreover , that ...
... playing on the debasement connoted in that word , the loss from image to image , but also on the idea ( more apparent ... play ( Joe Ross and Jane Falbury ) inevitably come together across lines of sexual difference and , moreover , that ...
Side 98
... play with and handle . He can read my writing but he sho ' can't read my mind . I'll put this play toy in his hand , and he will seize it and go away . Then I'll say my say and sing my song . " -Zora Neale Hurston Mules and Men The ...
... play with and handle . He can read my writing but he sho ' can't read my mind . I'll put this play toy in his hand , and he will seize it and go away . Then I'll say my say and sing my song . " -Zora Neale Hurston Mules and Men The ...
Side 129
... play out each scene fully , and leaves a lot of ambiguity about their temporal and even causal connections . This stylistic treatment enables her viewers to follow the flow of Li Chun's consciousness as she recalls her past experiences ...
... play out each scene fully , and leaves a lot of ambiguity about their temporal and even causal connections . This stylistic treatment enables her viewers to follow the flow of Li Chun's consciousness as she recalls her past experiences ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York