Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 12
... object to overcome . That's what's fatal for it . Baudrillard's next move is to claim that both of these strategies are finished . The only irresistible force today is that of the moving object as it flees and evades the subject . This ...
... object to overcome . That's what's fatal for it . Baudrillard's next move is to claim that both of these strategies are finished . The only irresistible force today is that of the moving object as it flees and evades the subject . This ...
Side 26
... object studied , every bit as much as at the level of the purpose . One may no doubt still hesitate to define the object of socio- logy as one can also easily identify the real nature and the ideolog- ical function of certain procedures ...
... object studied , every bit as much as at the level of the purpose . One may no doubt still hesitate to define the object of socio- logy as one can also easily identify the real nature and the ideolog- ical function of certain procedures ...
Side 27
... object ( man ) , could not , cannot , and could never favor the constitution of a new body of knowledge on man . The excellent work of Michèle Duchet 10 must be consulted to see in the prehis- tory of ethnology ( at least the one that ...
... object ( man ) , could not , cannot , and could never favor the constitution of a new body of knowledge on man . The excellent work of Michèle Duchet 10 must be consulted to see in the prehis- tory of ethnology ( at least the one that ...
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FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York