Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 120
... non - Han peoples as a generic group . Favoritist tactics in these films were multiple : selection of apparent subject matters akin to non - Han interests , ethnic consultants to ensure verisimilitude on many levels of representation ...
... non - Han peoples as a generic group . Favoritist tactics in these films were multiple : selection of apparent subject matters akin to non - Han interests , ethnic consultants to ensure verisimilitude on many levels of representation ...
Side 123
... Non - Han women figures , in this manner , were produced according to over- determinations different from the political and cultural produc- tions of Han women . Yet , these tactics of " excesses " outside the rigid bounds of Confucian ...
... Non - Han women figures , in this manner , were produced according to over- determinations different from the political and cultural produc- tions of Han women . Yet , these tactics of " excesses " outside the rigid bounds of Confucian ...
Side 125
... Han Chinese continue to represent the non - Han in their own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to represent the countryside peasants ) . In this case , the ...
... Han Chinese continue to represent the non - Han in their own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to represent the countryside peasants ) . In this case , the ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York