Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 60
... noises ” in visual messages . A rumor without foundation is a " noise " in a sociological message . 18 Attali and also Dick Hebdige , whose important work on punk music as subculture is otherwise more specific , simply ex- pand the ...
... noises ” in visual messages . A rumor without foundation is a " noise " in a sociological message . 18 Attali and also Dick Hebdige , whose important work on punk music as subculture is otherwise more specific , simply ex- pand the ...
Side 61
... noise is , and always has been , inscribed in all sound and music . In fact , noise plays a primary role in the perception of virtually every musical sound . Noise components at the beginning of musical instrument tones ( usual- ly no ...
... noise is , and always has been , inscribed in all sound and music . In fact , noise plays a primary role in the perception of virtually every musical sound . Noise components at the beginning of musical instrument tones ( usual- ly no ...
Side 72
... noise , as noise is embedded in all signals . Noise is a discursive threshold in the field defined by the polarities of twentieth - century culture and politics in the West . Noise allows us to articulate music in full tension with ...
... noise , as noise is embedded in all signals . Noise is a discursive threshold in the field defined by the polarities of twentieth - century culture and politics in the West . Noise allows us to articulate music in full tension with ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York