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Side 60
A general theory of noise can be derived from information theory . In the classical textbook definition , noise is " any undesira- ble signal in the transmission of a message " 17 : shocks , crackling , and atmospherics are noises in a ...
A general theory of noise can be derived from information theory . In the classical textbook definition , noise is " any undesira- ble signal in the transmission of a message " 17 : shocks , crackling , and atmospherics are noises in a ...
Side 61
minimum of breath sounds , string " noise , " etc. ) , along with its pretense of highly developed pitch systems ( e.g. , tonality , dodeca- phony , and other serial techniques ) , is often the strategy with which Western music holds at ...
minimum of breath sounds , string " noise , " etc. ) , along with its pretense of highly developed pitch systems ( e.g. , tonality , dodeca- phony , and other serial techniques ) , is often the strategy with which Western music holds at ...
Side 72
the mark of noise in the service of Music as a grand discipline . Noise theory seen in historical performance gives a fuller play to the interaction of ambiguities and conflicts within sound - making activities : the hierarchical ...
the mark of noise in the service of Music as a grand discipline . Noise theory seen in historical performance gives a fuller play to the interaction of ambiguities and conflicts within sound - making activities : the hierarchical ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York