Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
Fra bogen
Resultater 1-3 af 59
Side 68
... never accepted and put into practice by Varèse . “ Italian Futurists , ” he wrote , " why do you merely reproduce the vibrations of our daily lives only in their superficial and distressing aspects ? " 42 His use here of the phrase ...
... never accepted and put into practice by Varèse . “ Italian Futurists , ” he wrote , " why do you merely reproduce the vibrations of our daily lives only in their superficial and distressing aspects ? " 42 His use here of the phrase ...
Side 79
... never knows if it arrives . Also one never knows if death catches up with it . The death of the sender or the death of the recipient . Which is what , in a particular way , ties it to life and to writing . All modes of transferral are ...
... never knows if it arrives . Also one never knows if death catches up with it . The death of the sender or the death of the recipient . Which is what , in a particular way , ties it to life and to writing . All modes of transferral are ...
Side 125
... never referred to again , never used , and , even though the film continues to give us external shots of the farm , never seen again . One dialogue condenses this shift from a plot of farm productivity to a specta- cle of performance as ...
... never referred to again , never used , and , even though the film continues to give us external shots of the farm , never seen again . One dialogue condenses this shift from a plot of farm productivity to a specta- cle of performance as ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
3 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York