Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 26
... nature as those that are met with , in a general way , in the social sciences . The differences here are fundamental , at the level of the project , and of the object studied , every bit as much as at the level of the purpose . One may ...
... nature as those that are met with , in a general way , in the social sciences . The differences here are fundamental , at the level of the project , and of the object studied , every bit as much as at the level of the purpose . One may ...
Side 30
... nature of the heritage handed down and the rejection of the sell - out to the institutions and values of the West . Such a line of action can be meaningful solely on condition of not being merely an intuitive comprehen- sion of non ...
... nature of the heritage handed down and the rejection of the sell - out to the institutions and values of the West . Such a line of action can be meaningful solely on condition of not being merely an intuitive comprehen- sion of non ...
Side 34
... nature and a meaning to history : the rest is inessential . Capitalism is a natural system above and beyond the uncertainties of the history of the inessential societies . Moreover , they have no history , since they have been unable to ...
... nature and a meaning to history : the rest is inessential . Capitalism is a natural system above and beyond the uncertainties of the history of the inessential societies . Moreover , they have no history , since they have been unable to ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York