Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 124
... narrative can become a mere De- vice , in the Russian Formalist sense of the term , for getting a show going narrative as mere excuse to motivate a perfor- mance that really has no motivation ) . - Film does not only inherit the ...
... narrative can become a mere De- vice , in the Russian Formalist sense of the term , for getting a show going narrative as mere excuse to motivate a perfor- mance that really has no motivation ) . - Film does not only inherit the ...
Side 37
... narrative predictions backfire ) . The narrative center of L.A. Law is occupied , rather , by those lawyers with no pretense to omni- science , and with a more limited narrative range ― Ann Kelsey , Grace Van Owen , Michael Kuzak , and ...
... narrative predictions backfire ) . The narrative center of L.A. Law is occupied , rather , by those lawyers with no pretense to omni- science , and with a more limited narrative range ― Ann Kelsey , Grace Van Owen , Michael Kuzak , and ...
Side 70
... narrative and descriptive erotic contemplation - two modes of engagement similar to the musical . In one the action unfolds and enigmas accrue ; in the other narrative action stops for the duration of an event ( sex ) ; redundancy ...
... narrative and descriptive erotic contemplation - two modes of engagement similar to the musical . In one the action unfolds and enigmas accrue ; in the other narrative action stops for the duration of an event ( sex ) ; redundancy ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York