Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 87
... move- ment does not seal itself again in the production of presence but conceals itself in the irreducible Otherness of the repeated de- scription of presence and absence . In it , presence and absence meet , pleasure principle and ...
... move- ment does not seal itself again in the production of presence but conceals itself in the irreducible Otherness of the repeated de- scription of presence and absence . In it , presence and absence meet , pleasure principle and ...
Side 12
... move is to claim that both of these strategies are finished . The only irresistible force today is that of the moving object as it flees and evades the subject . This is the " force " of the sex - object , of the silent zombie - masses ...
... move is to claim that both of these strategies are finished . The only irresistible force today is that of the moving object as it flees and evades the subject . This is the " force " of the sex - object , of the silent zombie - masses ...
Side 164
... move towards a different kind of ethno- graphy : one which in their words takes account of " world histor- ical political economy , ” and / or which repatriates itself to the USA , where - the implicit claim is - the problems of self ...
... move towards a different kind of ethno- graphy : one which in their words takes account of " world histor- ical political economy , ” and / or which repatriates itself to the USA , where - the implicit claim is - the problems of self ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York