Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 23
... means of self - transformation to achieve it . One might think that body types for women are a matter of genetic inheritance rather than an historical phenomenon , but this has not been the case at least since the nineteenth century ...
... means of self - transformation to achieve it . One might think that body types for women are a matter of genetic inheritance rather than an historical phenomenon , but this has not been the case at least since the nineteenth century ...
Side 88
... mean union . But that also means that there is love in the irreducible newness of a double reference , which no longer de- pends on desire or fulfillment , which in no way proposes neutral- ization or leveling , when it distances these ...
... mean union . But that also means that there is love in the irreducible newness of a double reference , which no longer de- pends on desire or fulfillment , which in no way proposes neutral- ization or leveling , when it distances these ...
Side 5
... means the rigorous pedagogical and political program of the Birmingham school in England . So I'll complete these preliminary remarks with a comment on how I see the institutional status of cultural studies in Australia . As a ...
... means the rigorous pedagogical and political program of the Birmingham school in England . So I'll complete these preliminary remarks with a comment on how I see the institutional status of cultural studies in Australia . As a ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York