Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 57
... male voice - over which concludes the courtroom drama is always allowed to have the final word . Whether he appears physically on the set or in disembodied form on the sound - track , the male commentator introduces the actors , the ...
... male voice - over which concludes the courtroom drama is always allowed to have the final word . Whether he appears physically on the set or in disembodied form on the sound - track , the male commentator introduces the actors , the ...
Side 59
... male feminism are certainly striking . Yet even more striking are the affinities between male feminism and the day - time law show , both of which are unable to utter the name of the Father without conjuring up the threat of feminine ...
... male feminism are certainly striking . Yet even more striking are the affinities between male feminism and the day - time law show , both of which are unable to utter the name of the Father without conjuring up the threat of feminine ...
Side 75
... male concern to critique war and male sexuality and male aggression , it remains for women to continue to claim the right to be taken seriously as authorities — and in fact there has recently been a surge of interest on the part of ...
... male concern to critique war and male sexuality and male aggression , it remains for women to continue to claim the right to be taken seriously as authorities — and in fact there has recently been a surge of interest on the part of ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York