Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 93
... kitsch is a problem of reception : who is making the judgment , and what cultural background they come from is a crucial issue . Third , Learning from Las Vegas conceived of " kitsch " at least the " kitsch " of the American Strip — as ...
... kitsch is a problem of reception : who is making the judgment , and what cultural background they come from is a crucial issue . Third , Learning from Las Vegas conceived of " kitsch " at least the " kitsch " of the American Strip — as ...
Side 94
... kitsch was not explicitly stressed as an issue since , given the rational cast of this discourse , the critique of kitsch was implicitly subsumed under the aegis of the scientific . In this light kitsch was interpreted as an index of ...
... kitsch was not explicitly stressed as an issue since , given the rational cast of this discourse , the critique of kitsch was implicitly subsumed under the aegis of the scientific . In this light kitsch was interpreted as an index of ...
Side 109
... kitsch , since kitsch already had undertaken a previous transgression of traditional norms by evacuating its forms from any cultural significance . Kitsch also implicitly makes claims of purity , both by repro- ducing the formal ...
... kitsch , since kitsch already had undertaken a previous transgression of traditional norms by evacuating its forms from any cultural significance . Kitsch also implicitly makes claims of purity , both by repro- ducing the formal ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York