Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 81
... genre , but all genres , litera- ture itself . This suggests no tautological mirror which would once more reflect within itself the relation between life and literature , but rather , the autobiography of writing is set in motion ...
... genre , but all genres , litera- ture itself . This suggests no tautological mirror which would once more reflect within itself the relation between life and literature , but rather , the autobiography of writing is set in motion ...
Side 102
... genre theory begins with crucial distinctions between historical and theoretical notions of genre , and Mimi White's essay on ideological analysis surveys the changing conception of ideology through Marx , Althusser , and Gramsci . The ...
... genre theory begins with crucial distinctions between historical and theoretical notions of genre , and Mimi White's essay on ideological analysis surveys the changing conception of ideology through Marx , Althusser , and Gramsci . The ...
Side 126
... genre with women , but also a man's genre for women " ( 185 ) , Widows is symptomatic of the strained relations between conven- tions of generic realism , social constructions of gender , and practices of TV viewing that arise in the ...
... genre with women , but also a man's genre for women " ( 185 ) , Widows is symptomatic of the strained relations between conven- tions of generic realism , social constructions of gender , and practices of TV viewing that arise in the ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York