Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 50
... functions of ritual . We could say that this character- izes aerobics , for the ritual function it possesses contradicts its commod- ity function . Probably the most ritual - like sports of the 1980s are the mass “ races ” coming out of ...
... functions of ritual . We could say that this character- izes aerobics , for the ritual function it possesses contradicts its commod- ity function . Probably the most ritual - like sports of the 1980s are the mass “ races ” coming out of ...
Side 38
... function , then , as central narrative figures : the one - Adrienne Moore as portrayed by Alfre Woodard - very much the visible center of the pilot , the other a most conspicuously absent and marginal figure . More central to Kelsey's ...
... function , then , as central narrative figures : the one - Adrienne Moore as portrayed by Alfre Woodard - very much the visible center of the pilot , the other a most conspicuously absent and marginal figure . More central to Kelsey's ...
Side 14
... functions as an intertextual link , or as " threshold figure mediating between the all - black town of Eatonville ... function of which she was both the activator and the receptor . Her reading of cinema is one in which she is the ...
... functions as an intertextual link , or as " threshold figure mediating between the all - black town of Eatonville ... function of which she was both the activator and the receptor . Her reading of cinema is one in which she is the ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York