Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 82
... filmmakers in the richer countries ( i.e. , the First World ) and can be a matter of necessity in the case of Third World filmmakers . As a filmmaker , it takes me usually two or four years to complete a film , partly a necessity ...
... filmmakers in the richer countries ( i.e. , the First World ) and can be a matter of necessity in the case of Third World filmmakers . As a filmmaker , it takes me usually two or four years to complete a film , partly a necessity ...
Side 85
... filmmaker , " You should not take too long to finish a film , because too many changes happen within the individual filmmaker . " That is a great rule for time - efficient FTC fillmaking . But allowing oneself to be capsulized in the ...
... filmmaker , " You should not take too long to finish a film , because too many changes happen within the individual filmmaker . " That is a great rule for time - efficient FTC fillmaking . But allowing oneself to be capsulized in the ...
Side 131
... filmmaker as a cultural figure is sincere in examining the distorting effects of Han political and cultural repressions , the film's discourses never- theless reproduce an intellectual obsession with privileges and security . Here , in ...
... filmmaker as a cultural figure is sincere in examining the distorting effects of Han political and cultural repressions , the film's discourses never- theless reproduce an intellectual obsession with privileges and security . Here , in ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York