Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 64
... film the presence of the love interest protects man from suspicions of homosexuality , while male homoeroticism protects him from too great an intimacy with woman . For example , after the film's hero " Maverick " meets " Charlie ...
... film the presence of the love interest protects man from suspicions of homosexuality , while male homoeroticism protects him from too great an intimacy with woman . For example , after the film's hero " Maverick " meets " Charlie ...
Side 82
... film or a Third World box - office hit . This is dictated by the laws of the investment world , where films are mainly a consumer product to be served like McDonald's hamburgers . ( The McDonaldization of films is a reality I accept and ...
... film or a Third World box - office hit . This is dictated by the laws of the investment world , where films are mainly a consumer product to be served like McDonald's hamburgers . ( The McDonaldization of films is a reality I accept and ...
Side 133
... film ( which include a mourning sequence in whitish grey , a funeral sequence in fiery red climaxing in the cremation of Ya , a shocking sight of the gigantic mud slide that has erased all the traces of Dai life , and a lingering visual ...
... film ( which include a mourning sequence in whitish grey , a funeral sequence in fiery red climaxing in the cremation of Ya , a shocking sight of the gigantic mud slide that has erased all the traces of Dai life , and a lingering visual ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York