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Side 64
In this film the presence of the love interest protects man from suspicions of homosexuality , while male homoeroticism protects him from too great an intimacy with woman . For example , after the film's hero " Maverick " meets ...
In this film the presence of the love interest protects man from suspicions of homosexuality , while male homoeroticism protects him from too great an intimacy with woman . For example , after the film's hero " Maverick " meets ...
Side 82
This is dictated by the laws of the investment world , where films are mainly a consumer product to be served like ... As a filmmaker , it takes me usually two or four years to complete a film , partly a necessity dictated by Third ...
This is dictated by the laws of the investment world , where films are mainly a consumer product to be served like ... As a filmmaker , it takes me usually two or four years to complete a film , partly a necessity dictated by Third ...
Side 133
The four sequences before the ending of the film ( which include a mourning sequence in whitish grey , a funeral sequence in fiery red climaxing in the cremation of Ya , a shocking sight of the gigantic mud slide that has erased all the ...
The four sequences before the ending of the film ( which include a mourning sequence in whitish grey , a funeral sequence in fiery red climaxing in the cremation of Ya , a shocking sight of the gigantic mud slide that has erased all the ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York