Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 24
... femininity per se . Exercise promises to be that realm which can transform the body into acceptable curren- cy of femininity and prepare a feminine subject of that exchange . Women are no longer a veil over a gap , a sign projected by ...
... femininity per se . Exercise promises to be that realm which can transform the body into acceptable curren- cy of femininity and prepare a feminine subject of that exchange . Women are no longer a veil over a gap , a sign projected by ...
Side 25
... feminine subject of her utterance , the feminine “ I , ” a still image from the age of youth . We see her image as visible work , as body armor , as an index of her will - power and in relation to a style change in the cultural ...
... feminine subject of her utterance , the feminine “ I , ” a still image from the age of youth . We see her image as visible work , as body armor , as an index of her will - power and in relation to a style change in the cultural ...
Side 42
... feminine , ” and try to distinguish ourselves from the un- shaped condition of womanhood , that is , of somehow never be- ing good enough . The new means of dissemination of cultural representations of femininity promise us greater ...
... feminine , ” and try to distinguish ourselves from the un- shaped condition of womanhood , that is , of somehow never be- ing good enough . The new means of dissemination of cultural representations of femininity promise us greater ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York