Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 35
... female characters on L.A. Law may not necessarily be identified as feminists , but all of the four major female leads - partner Ann Kelsey , District Attorney Grace Van Owen , associate Abby Perkins , and secretary Roxanne Melman ...
... female characters on L.A. Law may not necessarily be identified as feminists , but all of the four major female leads - partner Ann Kelsey , District Attorney Grace Van Owen , associate Abby Perkins , and secretary Roxanne Melman ...
Side 42
... female authority that is distinctly unambivalent . Van Owen affirms a principle of equality that may be somewhat cynical , but is nonetheless of feminist inspiration : that women and men have the same rights to exploit the law , and ...
... female authority that is distinctly unambivalent . Van Owen affirms a principle of equality that may be somewhat cynical , but is nonetheless of feminist inspiration : that women and men have the same rights to exploit the law , and ...
Side 96
... female was a " real " tease , a come - on ; masculinity was the modern , high - tech machine , that place of invisibility and power , watching , taping , while the low- tech women sang , " Buy me " ; video and the female body were ...
... female was a " real " tease , a come - on ; masculinity was the modern , high - tech machine , that place of invisibility and power , watching , taping , while the low- tech women sang , " Buy me " ; video and the female body were ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York