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Side 63
27 In fact , The Fountains of Rome stands as an apt acoustical metaphor for steady - state fascism — a monumen- tal white noise with an extended commercial tradition from the piazza to the shopping mall . Futurist noise , as we will ...
27 In fact , The Fountains of Rome stands as an apt acoustical metaphor for steady - state fascism — a monumen- tal white noise with an extended commercial tradition from the piazza to the shopping mall . Futurist noise , as we will ...
Side 60
In fact the appeal of using human actors as puppets with invisible puppeteers manipulating them was precisely the fascination of not quite knowing who moves whom in moments of intensity . In fact when the narrator says at the very end ...
In fact the appeal of using human actors as puppets with invisible puppeteers manipulating them was precisely the fascination of not quite knowing who moves whom in moments of intensity . In fact when the narrator says at the very end ...
Side 100
But , in fact , according to the great Commandant , the spectacle will take place with all the lights out . Why in the dark ? It is easy to guess . We all know that the devil only acts in the thick shadow . Who among us is unaware of ...
But , in fact , according to the great Commandant , the spectacle will take place with all the lights out . Why in the dark ? It is easy to guess . We all know that the devil only acts in the thick shadow . Who among us is unaware of ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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Almindelige termer og sætninger
aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York