Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 11
... experience . It is the contradiction between one's pleasure , fascination , thrill , and sense of " life , " even birth , in popular culture , and the deathly shadows of war , invasion , emergency , crisis , and terror that perpetually ...
... experience . It is the contradiction between one's pleasure , fascination , thrill , and sense of " life , " even birth , in popular culture , and the deathly shadows of war , invasion , emergency , crisis , and terror that perpetually ...
Side 26
... experience of popular culture - without debating the " validity " of that experience , even less that culture as a whole - is still , today , extraordinarily depleted . It seems to me , therefore , that the worst thing one can do in ...
... experience of popular culture - without debating the " validity " of that experience , even less that culture as a whole - is still , today , extraordinarily depleted . It seems to me , therefore , that the worst thing one can do in ...
Side 50
... experience of " possession , " of a body being possessed by other bodies , of the voice being multiplied , so that there is more than one voice to the body . In Western terminology this experience may be called a form of hysteria , the ...
... experience of " possession , " of a body being possessed by other bodies , of the voice being multiplied , so that there is more than one voice to the body . In Western terminology this experience may be called a form of hysteria , the ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York