Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 21
... ethnology in order to realize the scope of its effects , it is on the other hand useless and dangerous to expect from it more than it can give . To wish to obtain from the investigations of ethnology anything other than what it can ...
... ethnology in order to realize the scope of its effects , it is on the other hand useless and dangerous to expect from it more than it can give . To wish to obtain from the investigations of ethnology anything other than what it can ...
Side 26
... ethnology are not of the same nature as those that are met with , in a general way , in the social sciences . The differences here are fundamental , at the level of the project , and of the object studied , every bit as much as at the ...
... ethnology are not of the same nature as those that are met with , in a general way , in the social sciences . The differences here are fundamental , at the level of the project , and of the object studied , every bit as much as at the ...
Side 27
... ethnology ceases to be a false discourse , a knowing discourse on man . The weak point of ethnology is not ethnocentricity , but the rational illusion or the abdications of Reason upon which it is based , which it feeds upon , and by ...
... ethnology ceases to be a false discourse , a knowing discourse on man . The weak point of ethnology is not ethnocentricity , but the rational illusion or the abdications of Reason upon which it is based , which it feeds upon , and by ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York