Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 51
... ethnography of a certain cinema and of its capacity to render the body erotic , tender , voluptuous via fragmentation . Having said this I would also say that there is a strong Sri Lankan ethnography in the chamber music scene at the ...
... ethnography of a certain cinema and of its capacity to render the body erotic , tender , voluptuous via fragmentation . Having said this I would also say that there is a strong Sri Lankan ethnography in the chamber music scene at the ...
Side 68
... Ethnography is the representation of the conceptual manner in which we may engage with another . It raises epistemological questions about the mind and its use . Pornography , for instance , is structured around the questions of how sex ...
... Ethnography is the representation of the conceptual manner in which we may engage with another . It raises epistemological questions about the mind and its use . Pornography , for instance , is structured around the questions of how sex ...
Side 73
... ethnography base themselves . Ambivalence goes back to the self / Other relation of identity and opposition in the Lacanian Imaginary ( the mirror - phase ) . We cannot help but be ambivalent about the image of an Other that is ...
... ethnography base themselves . Ambivalence goes back to the self / Other relation of identity and opposition in the Lacanian Imaginary ( the mirror - phase ) . We cannot help but be ambivalent about the image of an Other that is ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York