Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 80
... essay in The New Yorker and Benjamin's essays , which appeared in translation in 1969. That same year , the Museum of Modern Art staged " The Machine as Seen at the End of the Mechanical Age , " arguing in the catalogue that ...
... essay in The New Yorker and Benjamin's essays , which appeared in translation in 1969. That same year , the Museum of Modern Art staged " The Machine as Seen at the End of the Mechanical Age , " arguing in the catalogue that ...
Side 178
... essay " Diaspora Culture and the Dialogic Imagination " and Clyde Taylor's call for a " postesthetic " critical practice in his essay " We Don't Need Another Hero . " The ideas in these three essays connect in that they argue for a ...
... essay " Diaspora Culture and the Dialogic Imagination " and Clyde Taylor's call for a " postesthetic " critical practice in his essay " We Don't Need Another Hero . " The ideas in these three essays connect in that they argue for a ...
Side 179
... essay with a brilliant example of recoding by juxtaposing sets of shifting paradigms between the colonized Negro and the liberated Black , between Hollywood representations of Blacks , and liber- ating identities from the archives of ...
... essay with a brilliant example of recoding by juxtaposing sets of shifting paradigms between the colonized Negro and the liberated Black , between Hollywood representations of Blacks , and liber- ating identities from the archives of ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York