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Side 105
decenter " and those which " re - center " cultures according to very particular discursive economies . ... Fiske stresses that the complexity of television is a virtual microcosm of the complexity of contemporary cultural life .
decenter " and those which " re - center " cultures according to very particular discursive economies . ... Fiske stresses that the complexity of television is a virtual microcosm of the complexity of contemporary cultural life .
Side 125
redeem non - Han cultures from political falsification cannot be totally free of racial biases and ethnocentric ... own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to ...
redeem non - Han cultures from political falsification cannot be totally free of racial biases and ethnocentric ... own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to ...
Side 132
autonomy of the Dai girls that challenges Li Chun's sense of cultural supremacy , her superficial assimilation to Dai culture has brought immense rewards and indeed enables her to regain that centrality . In this way , the exchange in ...
autonomy of the Dai girls that challenges Li Chun's sense of cultural supremacy , her superficial assimilation to Dai culture has brought immense rewards and indeed enables her to regain that centrality . In this way , the exchange in ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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Almindelige termer og sætninger
aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York