Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 15
... course of a particu- lar , with the tactile squeezed between . Modernist poetics was actually torn between two mandates which oscillated in its dis- course as in the well - wrought urn : the body is the book ; and , in the beginning was ...
... course of a particu- lar , with the tactile squeezed between . Modernist poetics was actually torn between two mandates which oscillated in its dis- course as in the well - wrought urn : the body is the book ; and , in the beginning was ...
Side 60
... course not present in the ritual . AR : Would you say that you not only performed the anthropolog- ical text but also deformed it ? LJ : Yes insofar as the image track and the sound track can , thanks to montage , say one thing and show ...
... course not present in the ritual . AR : Would you say that you not only performed the anthropolog- ical text but also deformed it ? LJ : Yes insofar as the image track and the sound track can , thanks to montage , say one thing and show ...
Side 166
... course just this possi- bility that writing enables . " ( 196 ) From these kinds of statements - Tyler's contributions to anthropological theory - emerges his adumbration of what kind of ethnography would thereby be required . The ...
... course just this possi- bility that writing enables . " ( 196 ) From these kinds of statements - Tyler's contributions to anthropological theory - emerges his adumbration of what kind of ethnography would thereby be required . The ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York