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Side 19
One could claim that this interpretation is only possible if one continues to assume that the academic traditions of ... as we accept restating the alternatives in those terms , that is precisely the assumption we continue to recycle .
One could claim that this interpretation is only possible if one continues to assume that the academic traditions of ... as we accept restating the alternatives in those terms , that is precisely the assumption we continue to recycle .
Side 125
Instead of following the current assessment that compliments recent Chinese films for showing much less political use of minority peoples , one may want to ask why the Han Chinese continue to represent the non - Han in their own ...
Instead of following the current assessment that compliments recent Chinese films for showing much less political use of minority peoples , one may want to ask why the Han Chinese continue to represent the non - Han in their own ...
Side 126
Yet , as complete silence in this site might be interpreted as Asian docility , one would still want to continue , by examining the issues of cultural appropriation raised in the second , more intro- verted question : " How have the Han ...
Yet , as complete silence in this site might be interpreted as Asian docility , one would still want to continue , by examining the issues of cultural appropriation raised in the second , more intro- verted question : " How have the Han ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York