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Side 118
Based on a continual difference become same- ness - the 24 frames per second that , in Godard's phrase , consti- tute a truth — representational cinema would seem precisely to be that signifying practice that most represses the fact of ...
Based on a continual difference become same- ness - the 24 frames per second that , in Godard's phrase , consti- tute a truth — representational cinema would seem precisely to be that signifying practice that most represses the fact of ...
Side 14
Her first encounter with cinema , unprece- dentedly related by her son in as " Le Dit du cinéma african " ( translated " The African Tale of Cinema " ) , was strikingly , an encounter with both the mediated reality of cinema and the ...
Her first encounter with cinema , unprece- dentedly related by her son in as " Le Dit du cinéma african " ( translated " The African Tale of Cinema " ) , was strikingly , an encounter with both the mediated reality of cinema and the ...
Side 175
Book Review BLACKFRAMES : Critical Perspectives on Black Independent Cinema . Mbye B. Cham and Claire Andrade - Watkins , eds . Cambridge , MA : Celebration of Black Cinema , Inc. Cambridge , MA : MIT Press , 1988. 85 pp .
Book Review BLACKFRAMES : Critical Perspectives on Black Independent Cinema . Mbye B. Cham and Claire Andrade - Watkins , eds . Cambridge , MA : Celebration of Black Cinema , Inc. Cambridge , MA : MIT Press , 1988. 85 pp .
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York