Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 6
... beginning , an unnamable mirage , a cheat , an omnipotent fantasy , which " shall be as if never were , unspoken " ( Agam 1. 170 ) . Moreover , the mutilation upon which the polis depends is simply unacceptable . For the severed body of ...
... beginning , an unnamable mirage , a cheat , an omnipotent fantasy , which " shall be as if never were , unspoken " ( Agam 1. 170 ) . Moreover , the mutilation upon which the polis depends is simply unacceptable . For the severed body of ...
Side 15
... beginning was the Word . This division is for all the infinite play of the signifiers what accounts for a certain continuity between what is represented in the New Criticism and what , despite the claim of rupture , we hear in the new ...
... beginning was the Word . This division is for all the infinite play of the signifiers what accounts for a certain continuity between what is represented in the New Criticism and what , despite the claim of rupture , we hear in the new ...
Side 81
... beginning in the strange turnabout of a name , which at first refers to its brevity , the letter ( Brief ) expands in its connections to such a degree , that book , writing , and ink can unfold within it , all these devices of ...
... beginning in the strange turnabout of a name , which at first refers to its brevity , the letter ( Brief ) expands in its connections to such a degree , that book , writing , and ink can unfold within it , all these devices of ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York