Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 71
... become a rock and roll commodity , there are a few interest- ing moments when the musical object itself may be changed , recursions when alternative production values have become in- scribed in the creative process itself.52 The work of ...
... become a rock and roll commodity , there are a few interest- ing moments when the musical object itself may be changed , recursions when alternative production values have become in- scribed in the creative process itself.52 The work of ...
Side 124
... become a mere De- vice , in the Russian Formalist sense of the term , for getting a show going narrative as mere excuse to motivate a perfor- mance that really has no motivation ) . Film does not only inherit the spectacularity of ...
... become a mere De- vice , in the Russian Formalist sense of the term , for getting a show going narrative as mere excuse to motivate a perfor- mance that really has no motivation ) . Film does not only inherit the spectacularity of ...
Side 27
... become supermimics in the Baudrillardian sense of becoming , by reversal , the same as that which is mimicked , yet to refuse to subside permanently either into silence or into a posture of reified difference . Through some such effort ...
... become supermimics in the Baudrillardian sense of becoming , by reversal , the same as that which is mimicked , yet to refuse to subside permanently either into silence or into a posture of reified difference . Through some such effort ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York