Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 54
... audience , removes her dark wig to reveal a full head of blond hair , and declares that she is indeed the husband's ... audience ( and , indeed , those in the audience at home ) are continually aligned with a variety of shifting ...
... audience , removes her dark wig to reveal a full head of blond hair , and declares that she is indeed the husband's ... audience ( and , indeed , those in the audience at home ) are continually aligned with a variety of shifting ...
Side 92
... audience of tourists reacts - at one moment with tears . This audience of casual passersby recreates that historical audience which lined the street ( and Zapruder's film ) for Kennedy's motorcade , only later to become witnesses ...
... audience of tourists reacts - at one moment with tears . This audience of casual passersby recreates that historical audience which lined the street ( and Zapruder's film ) for Kennedy's motorcade , only later to become witnesses ...
Side 125
... audience , image , and indus- try . Yet they are still illuminating for the issues they address . Dyer's overview of women and television lays out the terms of feminist involvement in both film / television studies and media ...
... audience , image , and indus- try . Yet they are still illuminating for the issues they address . Dyer's overview of women and television lays out the terms of feminist involvement in both film / television studies and media ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York