Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 9
... Anthropology in the People's Republic of China : The Winds of Change , " a professor of anthropology ( Gregory Eliyu Guldin ) notes that in departing from the lines laid down in the First and Second Worlds , the anthropological sciences ...
... Anthropology in the People's Republic of China : The Winds of Change , " a professor of anthropology ( Gregory Eliyu Guldin ) notes that in departing from the lines laid down in the First and Second Worlds , the anthropological sciences ...
Side 10
... anthropology " that will emphasize , as if for a change , team fieldwork and applied aspects of the craft . The paranoiac mode of modernist anthropology can easily be recognized here . The pseudo - critical - field - valorizing ...
... anthropology " that will emphasize , as if for a change , team fieldwork and applied aspects of the craft . The paranoiac mode of modernist anthropology can easily be recognized here . The pseudo - critical - field - valorizing ...
Side 161
... anthropology " interpretive " ) . And this interpretative mold of anthropology has led directly to what I call the " literariza- tion " of the ethnographic text and to the fairly unmediated impor- tation into anthropology of all the ...
... anthropology " interpretive " ) . And this interpretative mold of anthropology has led directly to what I call the " literariza- tion " of the ethnographic text and to the fairly unmediated impor- tation into anthropology of all the ...
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FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York