Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 32
... Kuzak , a partner in the firm of McKenzie , Brackman , Chaney , and Kuzak , and Adrienne Moore ( portrayed by Alfre Woodard ) , who appears in court to testify against a group of young men accused of gang - raping her and throwing her ...
... Kuzak , a partner in the firm of McKenzie , Brackman , Chaney , and Kuzak , and Adrienne Moore ( portrayed by Alfre Woodard ) , who appears in court to testify against a group of young men accused of gang - raping her and throwing her ...
Side 33
... Kuzak's client has been sentenced to prison ( where , as the senior partner of the firm later puts it to Kuzak , he will " learn more about rape than you bargained for " ) , Kuzak extends an offer of friendship to Adrienne Moore . In ...
... Kuzak's client has been sentenced to prison ( where , as the senior partner of the firm later puts it to Kuzak , he will " learn more about rape than you bargained for " ) , Kuzak extends an offer of friendship to Adrienne Moore . In ...
Side 41
... Kuzak defends Gill passionately , and as is usually the case in his arguments , emphasizes the human factor over the narrowly legal one . The station makes a generous settlement offer which Gill refuses , against Kuzak's recommendation ...
... Kuzak defends Gill passionately , and as is usually the case in his arguments , emphasizes the human factor over the narrowly legal one . The station makes a generous settlement offer which Gill refuses , against Kuzak's recommendation ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York