Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 125
... Jane begins the process by which Jane's admiration for Joe and for the show world he represents becomes serious . Significantly , once it func- tions to initiate Jane's interest in Joe , the tractor is never referred to again , never ...
... Jane begins the process by which Jane's admiration for Joe and for the show world he represents becomes serious . Significantly , once it func- tions to initiate Jane's interest in Joe , the tractor is never referred to again , never ...
Side 128
... Jane Falbury singing in the shower . An opening based on display : within the frame formed by the open window , the woman is here a show , an evidence . Moreover , the song that Jane'sings is itself about show " If you feel like singing ...
... Jane Falbury singing in the shower . An opening based on display : within the frame formed by the open window , the woman is here a show , an evidence . Moreover , the song that Jane'sings is itself about show " If you feel like singing ...
Side 129
... Jane in the shower might seem to set her up as a figure of an Imaginary plenitude that the rest of the film would set out to recapture . Indeed , Joe's exchange of city - wise Abigail for the more conservative Jane might suggest a ...
... Jane in the shower might seem to set her up as a figure of an Imaginary plenitude that the rest of the film would set out to recapture . Indeed , Joe's exchange of city - wise Abigail for the more conservative Jane might suggest a ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York