Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 31
... Hill Street Blues is fairly obvious , not only through the Bochco connection , but also through L.A. Law's position in the NBC Thursday night line - up in the spot previously held by Hill Street Blues . Like Hill Street Blues , as well ...
... Hill Street Blues is fairly obvious , not only through the Bochco connection , but also through L.A. Law's position in the NBC Thursday night line - up in the spot previously held by Hill Street Blues . Like Hill Street Blues , as well ...
Side 43
... avenue views women as if we were men . It measures our similarity with men to see if we are or can be men's equals . This standard is called the equality rule ... Hill Street Blues , the narrative functions are Spring - Summer 1988 43.
... avenue views women as if we were men . It measures our similarity with men to see if we are or can be men's equals . This standard is called the equality rule ... Hill Street Blues , the narrative functions are Spring - Summer 1988 43.
Side 44
Berkeley Journal for Theoretical Studies in Media and Culture. Furillo in Hill Street Blues , the narrative functions are quite different . For in Hill Street Blues , the steamy love scenes between Davenport and Furillo often seem like ...
Berkeley Journal for Theoretical Studies in Media and Culture. Furillo in Hill Street Blues , the narrative functions are quite different . For in Hill Street Blues , the steamy love scenes between Davenport and Furillo often seem like ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York