Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 176
... Black independent cinema in the social , political and cultural overdeterminations of its production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa ...
... Black independent cinema in the social , political and cultural overdeterminations of its production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa ...
Side 178
... Black " oppositional " or " other " cinema , notions which always place white males at the center of all texts , discourses and definitions . Gabriel totalizes Black independent cinema in its own terms " evolving its own axis ...
... Black " oppositional " or " other " cinema , notions which always place white males at the center of all texts , discourses and definitions . Gabriel totalizes Black independent cinema in its own terms " evolving its own axis ...
Side 179
... Black , between Hollywood representations of Blacks , and liber- ating identities from the archives of Black independent cinema . All in all , we must welcome this articulate , multifaceted collection of essays and only hope that its ...
... Black , between Hollywood representations of Blacks , and liber- ating identities from the archives of Black independent cinema . All in all , we must welcome this articulate , multifaceted collection of essays and only hope that its ...
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Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York