Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 10–11Indiana University Press, 1987 |
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Side 63
... noise ( along with its youthful bully boys ) , preferring " the gurglings of Respighi's Fountains of Rome . " 27 In ... art and modern industrial life into the greatest possible proximity . To bring art to life and life to art involved ...
... noise ( along with its youthful bully boys ) , preferring " the gurglings of Respighi's Fountains of Rome . " 27 In ... art and modern industrial life into the greatest possible proximity . To bring art to life and life to art involved ...
Side 64
... Art of Noises . " " 31 Russolo saw the art of noise as a new machine . Like the racing car ( depicted in one of Russolo's best - known paintings ) which stood as the supreme emblem of futurism in Marinetti's founding manifesto ...
... Art of Noises . " " 31 Russolo saw the art of noise as a new machine . Like the racing car ( depicted in one of Russolo's best - known paintings ) which stood as the supreme emblem of futurism in Marinetti's founding manifesto ...
Side 66
... art of noise must not be limited to imita- tive reproduction . -Luigi Russolo , The Art of Noises As Russolo continued to refine his notions of noise in rela- tion to " intoning " noise through the machine , he returned again and again ...
... art of noise must not be limited to imita- tive reproduction . -Luigi Russolo , The Art of Noises As Russolo continued to refine his notions of noise in rela- tion to " intoning " noise through the machine , he returned again and again ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York