Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 4–6Wayne State University Press, 1976 |
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Side 101
... scene of the death of Anastasia ( and of the funeral ) is the one in Part 1 in which Ivan " announces " most clearly his character in Part 2 ( black costume , political and psychological solitude , doubt - a " Russian Hamlet ...
... scene of the death of Anastasia ( and of the funeral ) is the one in Part 1 in which Ivan " announces " most clearly his character in Part 2 ( black costume , political and psychological solitude , doubt - a " Russian Hamlet ...
Side 113
... scene ( that imaginary space - time of which the filmic representation aims to give the impression ) will in a way ... Scene : Figuration and Representation Assuming , then , the existence , at least ideally , of such prepara- tory work ...
... scene ( that imaginary space - time of which the filmic representation aims to give the impression ) will in a way ... Scene : Figuration and Representation Assuming , then , the existence , at least ideally , of such prepara- tory work ...
Side 104
... scene from Servus Bayern ( 1978 ) comes to mind . As so often in his films , a woman ( Annamirl Bierbichler ) starts haranguing Herbert in a long , almost static take , directly addressing him , but into the camera , and therefore ...
... scene from Servus Bayern ( 1978 ) comes to mind . As so often in his films , a woman ( Annamirl Bierbichler ) starts haranguing Herbert in a long , almost static take , directly addressing him , but into the camera , and therefore ...
Indhold
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words